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The first chromatic button accordion may have been constructed as early as 1850 by Franz Walther, in 1870 by Nikolai I Its production and sale by Paolo Soprani helped globally spread and standardize the chromatic button accordion What may be easy to do with one type of accordion could be technically challenging or impossible with another, and proficiency with one layout may not translate to another
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The production of sound in an accordion is in direct proportion to the motion of the bellows by the player Each side has grilles in order to facilitate the transmission of air in and out of the instrument, and to allow the sound to project better The Helikon-style accordion has multiple flared horns projecting out of the left side to strengthen the bass tone Each register stop produces a separate sound timbre, many of which also differ in octaves or in how different octaves are combined The larger and more expensive accordions often also have bass switches to give options for the reed bank on the bass side By the 1860s, Novgorod, Vyatka and Saratov governorates also had significant accordion production
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At that time in Vienna, mouth harmonicas with Kanzellen (chambers) had already been available for many years, along with bigger instruments driven by hand bellows During the 1950s through the 1980s the accordion received significant exposure on television with performances by Myron Floren on The Lawrence Welk Show-born Mexican musician Julieta Venegas incorporates the sound of the instrument into rock, pop and folk The general process involves making the individual parts, assembling the subsections, assembling the entire instrument, and final decorating and packaging